Conference 2010
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Improbable plots? Making sense of contemporary popular fiction
4-6 March 2010
For the program, click here »
The notion of popular fiction calls forth several associations which highlight its distinction from "serious" or "high" literature. It is seen as one form of popular or mass culture that emerged with the rise of industrial capitalism, the mass media and the mass culture industry and as therefore indubitably encompassing the process of production, mass marketing and mass reception. The textual strategies deployed in works of popular fiction, the generic forms, formulaic plots, stereotyped characters and clichéd language, beg the question about their function in the social, political and economic milieu within which they participate in powerful ideologies and discourses as they successfully reach out to stir the hearts and fire the desires of millions of readers.
The shifting trajectories of popularity of individual works, or rather of authors, and the transmutation of genres underscore their connection to the concerns of the specific historical period. From adventure in primitive or exotic landscapes to encounters with alien, technologised universes in outer space, from the civilisational horrors of colonial and imperialist wars to the apocalyptic terrors of planetary ones, from tear-jerking romance in the security of the monogamous family to erotic transgressions of family ties and sexual norms, from the perilous mysteries of burgeoning cities to the global sites of espionage and organized crime, from the gothic worlds of witchcraft and sorcery to the dark fantasies of the digital age, the imagined worlds of popular fiction seem to set themselves off from and simultaneously point a finger at the everyday realities of its readers.
What are the driving forces of such texts and their readers in today's globalised world? How do they relate to other popular cultural forms, such as film, music, the emergent forms of digital entertainment? The conference aims at bringing together interdisciplinary and comparative perspectives that turn the spotlight on contemporary popular fiction in order to explore its preferred genres and modes of engagement with the preoccupations and predicaments of the current age.
PROGRAM
Thursday, 4 March 2010, Room 22, Arts Faculty, University of Delhi
10.30 am |
Opening Remarks |
Vibha Maurya, Shaswati Mazumdar |
10.45 am |
Michael Butter |
No Room of Its Own: Popular Fiction in the Academy |
11.30 am |
TEA/COFFEE BREAK |
11.45 am |
Sonali Agarwal |
Of Demon Lovers and Devouring Desire: Demystifying the Popularity of the Twilight Saga |
12.30 pm |
Alessandro Portelli |
Andrea Camilleri and the Metaliterary Crime Novel |
|
Chair: Vibha Maurya |
1.15 pm |
LUNCH BREAK |
2.15 pm |
Vijaya Venkataraman |
Reworking popular forms: Traces of the metaphysical detective story and the feuilleton in Reverte's The Dumas Club |
3.00 pm |
Sumana Jha |
Alexandra Marinina and popular Russian detective fiction |
3.45 pm |
TEA/COFFEE BREAK |
4.00 pm |
Amrit Sen |
“Adbhuture”: Sirshendu Mukhopadhyay and Popular Bengali Children’s Fiction |
|
Chair: Minni Sawhney |
Friday, 5 March 2010, Room 22, Arts Faculty, University of Delhi
10.45 am |
Aneeta Rajendran |
Popular Forms: Escapes from Alter-normativity? |
11.30 am |
TEA/COFFEE BREAK |
11.45 am |
Sonya S. Gupta |
Protean Identities and Transgressive Difference: Pedro Lemebel and his Chronicles of Things Untold |
12.30 pm |
Dorothee Birke |
Controlling Popular Fiction: Narrative Representations of Author-Reader Relations |
|
Chair: Kusum Aggarwal |
1.15 pm |
LUNCH BREAK |
2.15 pm |
Noorie Narag |
Revamping the Romance: From Discontent to Contempt. Elfriede Jelinek’s ‘Women as Lovers’
|
3.00 pm |
Deepti Bhardwaj |
Problematising the Popularity of Chetan Bhagat |
|
Chair: M.S. Joshi |
3.45 pm |
TEA/COFFEE BREAK |
Saturday, 6 March 2010, Room 22, Arts Faculty, University of Delhi
10.45 am |
Flaminia Nicora |
Jennifer Lee Carrell’s The Shakespeare Secret, or globalised bardolatry in form of a thriller |
11.30 am |
TEA/COFFEE BREAK |
11.45 am |
Margit Köves |
The “East-European Union” and the future of Hungary |
12.30 pm |
Sandhya Devesan Nambiar |
"Is it real, or is it Pop Fiction?": Reading the popular and the new |
|
Chair: Shaswati Mazumdar |
1.15 pm |
LUNCH |
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